The story of Jonathan Ferrell, who was shot dead by a North Carolina police officer as he sought help, highlights the deadly toll of racial stereotyping, Tressie McMillan Cottom writes in a piece at Slate.
Last week, Jonathan Ferrell, a former Florida AM football player who recently moved to the Charlotte, N.C., area to be with his fiancée, had a horrible car crash. The 24-year-old broke out the back window to escape and walked, injured, to knock on the nearest door for help. Now, Ferrell is dead. The neighbor he asked for aid called 911 (“He is trying to kick down my door,” she cried on the phone), and one of the responding police officers shot the unarmed Ferrell 10 times.
Ferrell, who was African-American, may have been too hurt, too in shock, to remember to whistle Vivaldi to signal he was a victim and not a threat.
Social psychologist Claude Steele’s book Whistling Vivaldi: How Stereotypes Affect Us and What We Can Do revolutionized our understanding of the daily context and cognitive effects of stereotypes and bias. The title of Steele’s book alludes to a story his friend New York Times writer Brent Staples once shared. An African-American man, Staples recounted how his physical presence terrified whites as he moved about Chicago as a free citizen and graduate student. To counter the negative effects of white fear, he took to whistling Vivaldi. It was a signal to the unvictimized victims of his blackness that he was safe. Dangerous black men do not listen to classical music, or so the hope goes. The incongruence between Staples’ musical choices and the stereotype of him as a predator were meant to disrupt the implicit, unexamined racist assumptions about him. It seems an annoying daily accommodation, perhaps, an attempt to make whites feel at ease to grease the wheels of social interactions—unless we fully recognize the potential consequences of white dis-ease for black lives.
Read Tressie McMillan Cottom’s entire piece at Slate.
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